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Gospel in Art: Saint Vincent, Deacon, Martyr

  • Father Patrick van der Vorst

Saint Vincent, Deacon and Martyr, with a Donor, 1462-66 by Tomás Giner © Prado Museum, Madrid

Saint Vincent, Deacon and Martyr, with a Donor, 1462-66 by Tomás Giner © Prado Museum, Madrid

Source: Christian Art

Gospel of 22 January 2026
Mark 3:7-12

At that time: Jesus withdrew with his disciples to the sea, and a great crowd followed, from Galilee and Judea and Jerusalem and Idumea and from beyond the Jordan and from around Tyre and Sidon. When the great crowd heard all that he was doing, they came to him. And he told his disciples to have a boat ready for him because of the crowd, lest they crush him, for he had healed many, so that all who had diseases pressed around him to touch him. And whenever the unclean spirits saw him, they fell down before him and cried out, 'You are the Son of God.' And he strictly ordered them not to make him known.

Reflection on the painting

Saint Vincent, the deacon of Zaragoza, served under Bishop Valerius at the beginning of the 4th century. He devoted himself to preaching the Gospel and caring for the poor. During the fierce persecution of Christians under Emperor Diocletian, Vincent was arrested and brought to Valencia. Vincent was brought from Zaragoza to Valencia because the Roman authorities wanted to make an example of him in a major administrative centre. Zaragoza was his home city, but Valencia was a larger hub of Roman power in the region at the time, the seat of the local governor responsible for enforcing Emperor Diocletian's persecution. As a public preacher and deacon, Vincent was well-known, and bringing him to Valencia ensured that his trial and torture would be highly visible. The authorities hoped that by breaking such a prominent Christian, others would be intimidated into abandoning the faith. Instead, Vincent's courage in Valencia became the very reason his martyrdom and witness spread far and wide. Even when confronted with torture, he refused to renounce Christ. Vincent shows us that martyrdom is not about seeking suffering, but about loving the Lord beyond fear.

His witness did not remain hidden. The faithful honoured his body immediately after his death, and many miracles were soon attributed to his intercession across the Christian world. Churches from Spain to Portugal to France arose under his patronage, celebrating a deacon whose ministry did not end with death. Artists often show him in the dalmatic (the vestment of a deacon), with the palm of martyrdom in his hand.

Our central painted panel of the altarpiece in the Archdeacon's Chapel of Zaragoza Cathedral, presents Saint Vincent as a triumphant deacon, flanked by angels making music, while the donor kneels devoutly at his side. Vincent stands firmly over a fallen figure, identified as Datianus, the Roman governor responsible for his martyrdom. He is portrayed with a turban to evoke contemporary fears of Turkish power following the fall of Constantinople. The saint holds a bible and the palm of victory in one hand, and an X-shaped cross in the other, while the millstone used in his attempted execution hangs at his neck.

LINKS

Gospel in Art: https://christian.art/
Today's Reflection: https://christian.art/daily-gospel-reading/mark-3-7-12-2026/

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